Artist Talk: Artists making Etchings
Sunday 20th October 2019
Starts at 4pm
Six artists talk about their work and discuss the importance of etching within their wider practice. Oona Grimes, Marcus Rees Roberts, Katherine Jones, Jason Hicklin, Brian D Hodgson and Ann Norfield each have their own unique starting points, yet there are crossovers in their approaches. Each artist will be showing their work and this afternoon talk is a chance to gain insights into what works for each of them, what makes them tick and explore why etching forms such a fundamental part of their practice.
Alice Irwin: Playground Adventures
Tuesday 3rd September 2019
Starts at 7pm
Join East London Printmakers on the 3rd September for an insightful talk around the playful works of RCA graduate, Alice Irwin where she will be discussing indepth her practice as an Artist and her experiences as a Printmaker.
Alice Irwin is an award-winning RCA graduate and recently had a solo exhibition at The Yorkshire Sculpture Park, followed by shows at the Flowers Gallery, Sid Motion Gallery, CGP London, and also at East of Elsewhere in Berlin. In 2017, she won the Contemporary Art Trust prize. Irwin works with layering in print and translates this perspective into sculpture, pushing the boundaries of art and craft whilst combining the traditional with the contemporary. Alice Irwin’s work questions human identity through the eyes of a child’s playful innocence, providing both a tactile and thought-provoking experience.
Please RSVP via Eventbrite for this talk – Eventbrite
For more information on Alices practice or to get in touch with her directly please visit her website – Alice Irwin
Artist Talk: Fabio Lattanzi Antinori
Date: 31st January 2019, 7:30pm
Location: East London Printmakers
During the talk Fabio will present a selection of the most recent collaborative artworks I produced over the last few years, working with engineers, designers, financial data analysts, perfumers and fortune tellers.
I will discuss In particular how a culture of exchange, open-source tools and collective DIYism is affecting artists’s relationship with technology and the notion of authorship in art production.
And how this can make up for an enriching and transformative experience.
The last part of my presentation will focus on the challenges and benefits of my residency at the MMCA Seoul and it will introduce the artwork I created while there.
Working across a range of mediums including sculpture, print, poetry and interactive installations, Fabio Lattanzi Antnori’s work examines the language of power and control of corporate systems and its effect on the belief systems of the individual. He graduated from Goldsmiths (2013) with an MFA in Computational studio Arts. Antinori’s work has been exhibited internationally in museums and galleries, among which SeMA Seoul Museum of Art, V&A London, Holon Design Museum, The RYDER projects, PiArtworks, Annka Kultys, MoCA Shanghai, Hangzhou Triennial of Fiber Art, Kaunas Biennial, MAK Museum Vienna.
Antinori lives and works in London.
20th November from 7pm –
Recent ELP Artist in Residency Daisy Billowes will be giving a talk about her contemporary art practice in relation to Print and the printed image. For the past 7 years she has been studying and questioning the different forms of print in relation to the history of craft, mechanical and digital (re)production. Her talk will encompass these issues and how she addresses them in her contemporary art practice.
Click HERE to RSVP via EventBrite.
Artist Talk: 06/11/18 – 42 Copperfield Rd. E3 4RR
The Conservator’s Role in Museums and Galleries:
Addressed in this lecture will be the idea that artworks possess multiple identities over time.
Giving practical examples Elisabeth will introduce the range of ways that conservators research, conserve and present artworks. Technical examination can provide clues about an artwork’s material history – both how it was made and how it may have altered over time. Such information can help in conservation decision making, but it won’t alter the fact that an artwork has multiple identities, and that returning to the ‘original work’ or halting for ever material change is neither possible, nor perhaps even desirable
Elisabeth Reissner has an MA in Drawing (Camberwell), a Postgraduate Diploma in the Conservation of Easel paintings and a PhD in Art History (Technical Study Within Art Historical Scholarship: ‘Meaning in Making’ With Particular Reference to the Works of Paul Cézanne at The Courtauld Institute of Art). She has combined work as a paintings’ conservator in galleries and museums such as the Frans Halsmuseum and Tate, with teaching on conservation, curating and art history undergraduate and post graduate courses at UCL and the Courtauld Institute of Art. Her own practice gets a look in every now and again.