Artist Talk: Fabio Lattanzi Antinori
Date: 31st January 2019, 7:30pm
Location: East London Printmakers
During the talk Fabio will present a selection of the most recent collaborative artworks I produced over the last few years, working with engineers, designers, financial data analysts, perfumers and fortune tellers.
I will discuss In particular how a culture of exchange, open-source tools and collective DIYism is affecting artists’s relationship with technology and the notion of authorship in art production.
And how this can make up for an enriching and transformative experience.
The last part of my presentation will focus on the challenges and benefits of my residency at the MMCA Seoul and it will introduce the artwork I created while there.
Working across a range of mediums including sculpture, print, poetry and interactive installations, Fabio Lattanzi Antnori’s work examines the language of power and control of corporate systems and its effect on the belief systems of the individual. He graduated from Goldsmiths (2013) with an MFA in Computational studio Arts. Antinori’s work has been exhibited internationally in museums and galleries, among which SeMA Seoul Museum of Art, V&A London, Holon Design Museum, The RYDER projects, PiArtworks, Annka Kultys, MoCA Shanghai, Hangzhou Triennial of Fiber Art, Kaunas Biennial, MAK Museum Vienna.
Antinori lives and works in London.
20th November from 7pm –
Recent ELP Artist in Residency Daisy Billowes will be giving a talk about her contemporary art practice in relation to Print and the printed image. For the past 7 years she has been studying and questioning the different forms of print in relation to the history of craft, mechanical and digital (re)production. Her talk will encompass these issues and how she addresses them in her contemporary art practice.
Click HERE to RSVP via EventBrite.
Artist Talk: 06/11/18 – 42 Copperfield Rd. E3 4RR
The Conservator’s Role in Museums and Galleries:
Addressed in this lecture will be the idea that artworks possess multiple identities over time.
Giving practical examples Elisabeth will introduce the range of ways that conservators research, conserve and present artworks. Technical examination can provide clues about an artwork’s material history – both how it was made and how it may have altered over time. Such information can help in conservation decision making, but it won’t alter the fact that an artwork has multiple identities, and that returning to the ‘original work’ or halting for ever material change is neither possible, nor perhaps even desirable
Elisabeth Reissner has an MA in Drawing (Camberwell), a Postgraduate Diploma in the Conservation of Easel paintings and a PhD in Art History (Technical Study Within Art Historical Scholarship: ‘Meaning in Making’ With Particular Reference to the Works of Paul Cézanne at The Courtauld Institute of Art). She has combined work as a paintings’ conservator in galleries and museums such as the Frans Halsmuseum and Tate, with teaching on conservation, curating and art history undergraduate and post graduate courses at UCL and the Courtauld Institute of Art. Her own practice gets a look in every now and again.
From the 20th September all our open access sessions will be £1 cheaper! Yes, in an age of ever increasing prices East London Printmakers are dropping theirs.
To book your next session click the following link – HERE
Open Access times :
Thursday morning 10:00 – 13:30 (£15), afternoon 14:30 – 18:00 (£15), evening 19:00 – 22:00 (£13)
Saturday morning 10:00 – 14:00 (£17)
Wondering what materials we sell at our shop or what items are just included in the session?
See HERE for details.
On Tuesday 16th October at 7pm we will be welcoming our next Artist Talk speaker Thomas Gosebruch to the studio where he will be discussing his current works on the subject of crisis management.
Website – http://www.thomasgosebruch.com